The world really is a stage now, and everyone is method acting. The audience is global. The spotlight is always on because the stage is digital. Call it whatever you want—social media, the Metaverse, the Matrix. It doesn’t matter. What matters is that millions of Americans are no longer living their lives. They’re performing their lives.

The Black Santa crusade is a political and cultural grift. White liberals play Geppetto, pulling identity-politics strings to keep their black puppets dancing to the rhythm of racism and making sure the balance of power stays in their favor. Symbolism is cheaper than repentance.

The Industrial Revolution of Romance turns everything into a commodity to be profited from. It's the neoliberal dream—turning people into products.

Just weeks after President Trump and HHS Secretary RFK Jr. sounded alarm bells about potential neurodevelopment risks linked to acetaminophen, Kimberly-Clark swoops in and buys Kenvue Inc.—the parent company of Tylenol—in one of the largest corporate takeovers in history. If you listen closely enough, you might hear the PR teams whispering, "Quick, change the narrative before anyone connects the dots."

May the faithful live to be the salt and the light. May the spirit of Charlie Kirk roar louder than the cackling cowards online.

This is why Aunt Jemima was removed from the syrup bottle. Not that long ago, Aunt Jemima and the Quaker Oats guy were the universal symbols of breakfast. The activists had Jemima cancelled, probably because she was smiling.

It quickly became an exhibit of how modern Christendom divides itself into smaller and smaller fractions while apparently chasing the same resurrected Lord.

But why didn't the mysterious crypto guys throw dildos during a baseball game? Or a pro wrestling event? It's because the WNBA puts its lewd sexual identity politics on full display.

Whether intentional or not, Uber's new pilot program is a corporate nod to a longstanding American principle many of us have forgotten—freedom of association.

Both Malcolm X (NOI version) and Nick Fuentes, in this imagined scenario, are racial dope dealers. They offer the cheap high of collective grievance based on surface-level attributes.

The gorilla represents truth and reality. It is imposing, undeniable, immovable, and often unforgiving. The 100 men represent our modern liberal culture.

Racial disharmony is the great American inheritance. We didn't earn it. We didn't ask for it. But we have carried it from generation to generation like a family heirloom because nobody has the courage to throw it in the trash.